Choreography Workshop with Anne Dryburgh

Anne Dryburgh will be accompanied by a pianist to offer participants the opportunity to perfect their technique in classical ballet and acquire pedagogical tools. Participants will also learn choreographic excerpts inspired by choreographer William Forsythe’s ballet “In the middle somewhat elevated” which involves improvisation based on movement sequences. A discussion on the work of this iconic choreographer will follow as well as a question and answer period.
Prerequisites
Understanding of French.
Specific requirement(s) for the course
None
Accessibility: Please contact us with any accommodations you may require in order to participate in this development workshop. We will be happy to accommodate you.
Anne Dryburgh

Upon graduating from the École supérieure de ballet du Québec in 1987, Anne Dryburgh joined Ballet British Colombia. During six seasons, she performed works by George Balanchine, William Forsythe, and Paul Taylor, among others. In 1993, she danced for the Ottawa Ballet Company. Back in Montreal, she danced for Ballet Ouest, l’Opéra de Montréal and in the musical Demain matin, Montréal m’attend, choreographed by Jean Grand-Maître and directed by Denise Filiatrault. In 2001, she appeared on stage with the White Oak Project, directed by Mikhail Baryshnikov. In 2008, she obtained a master’s degree in dance from the Université du Québec à Montréal and, in 2016, a master’s degree in arts education, both with honours. Grants from the Canada Council for the Arts allow her to further her training as a teacher. In 2019, she will perform the role of the Mother with Les Grands Ballets Canadiens in their production of Giselle and, in 2022, the role of the Queen Sleeping Beauty (Belle aux bois dormants). Anne Dryburgh has been teaching in the professional program at the École supérieure de ballet du Québec since 2004.

When
February 4, 1:00 pm to 5:00 pm
Duration
4 hours
Focus
Areas of concentration
Inscription end on
Jan. 15

INTERESTED IN
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ACCUEIL

En-tête: Théâtre du Double signe | Simon Vincent

Page: CASJB | Rolland Forest ; Compagnie de danse Sursaut | François Lafrance

Bas de page: Le Petit Théâtre de Sherbrooke | Martin Blache

 

LE CASJB 

En-tête: CASJB | Rolland Forest

Page : CASJB | Rolland Forest

 

LE REGROUPEMENT

En-tête: CASJB | Rolland Forest

Page: Théâtre du Double signe | Simon Vincent

 

EN VISITE

En-tête: Collectif Ailleurs si on y est (Stéphanie Beaudoin) | Marc Lepage

«Saison 2020-21» : Nicolas Zemmour | Ashbey; Nicolas Gendron | Hugo B. Lefort; Claire Renaud | Jean-François Bienvenu et Claire Renaud; Gabriel Morin & David Strasbourg | Éva-Maude TC Photographe; L’Interrupteur: Créations de Théâtre-Lumière | Anouk M. Renaud; Projet Hybris | Keven Lee; Estelle Clareton | Stéphane Najman @photoman.

«Saison 2019-20»: Nicolas Zemmour | Ashbey; Danika Cormier | Salomé Drapeau | François Lafrance; Philippe Boutin | Marc-André Thibault ; Gabriel Cloutier Tremblay | Éva-Maude TC 2015; Pleurer Dans’douche | Josie Desmarais; Thomas Duret | Olivier Hardy; Estelle Clareton | Stéphane Najman @photoman.

«Saison 2018-19»:  Danika Cormier | Salomé Drapeau | François Lafrance; Nathalie Derome | Josée-Anne Touchette | Luc Senécal

 

NOS ESPACES

En-tête: Théâtre du Double signe | Simon Vincent

Page: (Studio A) LaboKracBoom | LaboKracBoom ; (Studio B) Ariane Deslions | Ariane Deslions ; (Studio C) Compagnie de danse Axile | Liliane St-Arnaud ; (Studio de production) Théâtre du Double signe | Simon Vincent ; (Atelier de couture) CASJB | CASJB ; (Atelier de décor) Compagnie de danse Sursaut | François Lafrance ; (Studio de montage) CASJB | Simon Vincent

Bas de page: Le Petit Théâtre de Sherbrooke | Martin Blache

 

CONTACT

En-tête: CASJB | Rolland Forest

 

BILLETTERIE

En-tête: Compagnie de danse Sursaut | François Lafrance

 

LOCATION D’UN STUDIO

Page: Compagnie de danse Sursaut | Compagnie de danse Sursaut